Many Worlds, One Mind: CLOSE Gallery

6 June - 15 August 2026

Living Mountain, 2015
Financial Times stock listings, acrylic, pumice and sand on canvas and sail cloth
150 x 200 x 5 cm
59 1/2 x 78 1/2 x 2 in
100 Suns, 2015
Financial Times stock listings, pumice, acrylic on canvas
200 x 150 x 5 cm
Forbidden City, 2015
Financial Times stock listings, acrylic, pumice and sand on canvas and sail cloth
150 x 200 x 5 cm
59 1/2 x 78 1/2 x 2 in
Passages of Time, 2023
Financial Times newspaper, wood glue, and polystyrene on thermoplastic polymer
205 x 117 x 120 cm
80 1/2 x 46 x 47 in
Heavens Collide, 2022
Financial Times newspaper, archival inkjet, acrylic, and sand on linen
150 x 200 x 3 cm
59 1/2 x 78 1/2 x 1 1/2 in
Shape of Things to Come, 2023
Financial Times newspaper, wood glue, and polystyrene on thermoplastic polymer
220 x 115 x 115 cm
86 1/2 x 45 1/2 x 45 1/2 in
Land of Abundance (Chengdu)《天府之国(成都)》, 2024
Financial Times newspaper, archival inkjet, acrylic, PLA filament and sand on linen
110 x 82 cm
43 1/2 x 32 1/2 in
Sleeping Dragon, 2023
Financial Times newspaper, wood glue, and polystyrene on thermoplastic polymer
265 x 95 x 70 cm
104 1/2 x 37 1/2 x 27 1/2 in
Fishing Electric Dreams《捕鱼梦境》, 2024
Financial Times newspaper, archival inkjet, acrylic, and sand on linen
82 x 57 cm
32 1/2 x 22 1/2 in
Echoing Lives, 2023
Financial Times newspaper, wood glue, and polystyrene on thermoplastic polymer
46 x 11 x 26 cm
18 x 4 1/2 x 10 in
Jacob van Walscapelle II (New Order), 2014
Archival inkjet print on Hahnemühle Photo Rag Bright White 308 gsm paper, framed
153.2 x 120 cm
Jan van Huysum I (New Order), 2014
Archival inkjet print on coated Hahnemühle Photo Rag Bright White 308 gsm paper
153 x 117 x 5 cm
New Order Bouquet of Flowers in a Glass Vase (after Ambrosias Bosschaert, c. 1621) , 2022
Giclée on canvas
80 x 54.5 cm
31 1/2 x 21 1/2 in
New Order Flower Still Life (after Maria van Oosterwijck, c. 1669), 2022
Giclée on canvas
80 x 64 cm
31 1/2 x 25 1/2 in
Thucydides Trap, 2023
Financial Times newspaper, wood glue, and polystyrene on thermoplastic polymer
125 x 55 x 34 cm
49 x 21 1/2 x 13 1/2 in
Window #24, 2017
Financial Times newspaper, bamboo and adhesive
149.5 x 109 x 2 cm
59 x 43 x 1 in
When Wintermute Met Neuromancer, 2023
Financial Times newspaper, wood glue, and polystyrene on thermoplastic polymer
59 x 45 x 27 cm
23 x 17 1/2 x 10 1/2 in
New Order Still Life with Flowers and a Watch (after Abraham Mignon, c1660-1679), 2021
Giclée on canvas
75 x 60 cm
29 1/2 x 23 1/2 in
Revelations (Apocalypse), 2009
Pyrographic laser etching with 20-30 layers of vaporised Financial Times newspaper on plywood, set of 15
32.5 x 24.5 x 2 cm
13 x 9 1/2 x 1 in
The Course of Empire - The Arcadian or Pastoral State (after Thomas Cole, 1824), 2016
Giclée on canvas
100.3 x 161.3 x 3 cm
39 1/2 x 63 1/2 x 1 in
Window #01, 2018
Financial Times newspaper, bamboo and adhesive
164 x 224 cm
64 1/2 x 88 in
The Course of Empire - Desolation (after Thomas Cole, 1824), 2016
Giclée on canvas
100.3 x 161.3 x 3 cm
39 1/2 x 63 1/2 x 1 in
Minotaur 1-6, 2015
A series of six rchival inkjet prints with hand-painting in acrylic on Hahnemüle Photo Rag Bright White 310 gsm paper dry mounted to 1.5mm aluminium
74.6 x 60 cm
29 1/2 x 23 1/2 in
Window #29, 2020
Financial Times newspaper, bamboo and adhesive
173 x 216.5 cm
Hankow Hupeh 1850, 2019
Financial newspaper, acrylic gel and bamboo
80.5 x 58.5 cm
31 1/2 x 23 in
Li Bai‘s "Visiting Mountain Temple" (游山寺), 2023
Financial Times newspaper, bamboo and adhesive
44 x 44 cm
17 1/2 x 17 1/2 in
Bai Juyi’s "Mountain Window" (山窗), 2023
Financial Times newspaper, bamboo and adhesive
40 x 58 cm
16 x 23 in
Wang Wei‘s "A View from My Window" (窗前一瞥), 2023
Financial Times newspaper, bamboo and adhesive
43 x 58 cm
17 x 23 in

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