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The Light That Burns Twice as Bright: Cristea Roberts Gallery, London, UK

Past exhibition
14 September - 5 October 2011
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Gordon Cheung, Still Life, 2011

Still Life, 2011

Financial newspaper, archival inkjet and acrylic on canvas
150 x 200 x 5 cm
59 1/2 x 78 1/2 x 2 in
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Still Life casts an anxious shadow over our rapid evolution from 'Homo Sapiens' to 'Homo Oeconomicus' (a rational being who always strives to maximize monetary gains), and re-interprets the canons...
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Still Life casts an anxious shadow over our rapid evolution from 'Homo Sapiens' to 'Homo Oeconomicus' (a rational being who always strives to maximize monetary gains), and re-interprets the canons of 17th Century European still life painting, which emerged in parallel with the rise of capitalism. The tulip is a recurring motif of the golden age of Dutch 'Vanitas'. It also refers to an early example of a speculative bubble when, in 1636-1637 in the Netherlands, the frantic demand for tulip bulbs boosted prices to extremely high levels before suddenly collapsing.

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Exhibitions

The Light That Burns Twice as Bright, Cristea Roberts Gallery, London, UK (09/14/2011 to 10/05/2011)

Provenance

Private Collection
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