Here Be Dragons: Nottingham Castle Museum & Art Gallery, Nottingham, UK

30 April - 17 July 2016

Here be Dragons, 2016
Financial newspaper, archival inkjet, acrylic and sand on canvas
200 x 150 x 5 cm
78 1/2 x 59 1/2 x 2 in
Here Be Dragons II, 2016
Financial Newspaper, archival inkjet, acrylic and sand on linen
200 x 150 x 5 cm
78 1/2 x 59 1/2 x 2 in
The Course of Empire - The Savage State (after Thomas Cole, 1824), 2016
Giclée on canvas
100.3 x 161.3 x 3 cm
39 1/2 x 63 1/2 x 1 in
The Course of Empire - The Arcadian or Pastoral State (after Thomas Cole, 1824), 2016
Giclée on canvas
100.3 x 161.3 x 3 cm
39 1/2 x 63 1/2 x 1 in
The Course of Empire - The Consummation of Empire (after Thomas Cole, 1824), 2016
Giclée on canvas
129.5 x 193 x 3 cm
51 x 76 x 1 1/2 in
The Course of Empire - Destruction (after Thomas Cole, 1824), 2016
Giclée on canvas
100.3 x 161.3 x 3 cm
39 1/2 x 63 1/2 x 1 in
The Course of Empire - Desolation (after Thomas Cole, 1824), 2016
Giclée on canvas
100.3 x 161.3 x 3 cm
39 1/2 x 63 1/2 x 1 in
Francis Basset 1st Baron de Dunstanville (after Pompeo Batoni, 1778), 2016
Video animation 6 minute loop
Planning the Grand Tour (after Emil Brack), 2016
Video animation 6 minute loop
William I, Prince of Oranje (after Adriaen Thomasz. Key, 1579), 2016
Video animation 6 minute loop
Flower Piece (after Jean-Baptiste Monnoyer), 2016
Video animation 6 minute loop
Banquet Still Life (after Adriaen van Utrecht, 1644), 2016
Video animation 6 minute loop
Vanitas Still Life (after Albert Jansz, van der Schoor, 1640-1672), 2016
Video animation 6 minute loop
Gordon Cheung, Fishing for Souls (after Adriaen Pietersz van de Venne), 2016
Wanderer Above the Sea of Fog (after Casper David Friedrich), 2016
Three-part glicée on canvas
95 x 75 x 3 cm
37 1/2 x 29 1/2 x 1 1/2 in
Chairman Mao goes to Anyuan (after Liu Chunhua, 1967), 2016
Three-part giclée on canvas
95 x 77 x 3 cm
37 3/8 x 30 1/4 x 1 1/8 in
The Abyss Stares Back, 2015
Financial Times stock listings, acrylic, pumice and sand on canvas and sail cloth
200 x 450 x 5 cm
78 1/2 x 177 1/2 x 2 in
Living Mountain, 2015
Financial Times stock listings, acrylic, pumice and sand on canvas and sail cloth
150 x 200 x 5 cm
59 1/2 x 78 1/2 x 2 in
Forbidden City, 2015
Financial Times stock listings, acrylic, pumice and sand on canvas and sail cloth
150 x 200 x 5 cm
59 1/2 x 78 1/2 x 2 in
Lines in the Sand, 2016
Financial Times stock listings, acrylic, pumice and sand on canvas and sail cloth
150 x 200 x 5 cm
59 1/2 x 78 1/2 x 2 in
Great Wall of Sand, 2016
Financial newspaper, archival inkjet, acrylic and sand on canvas
150 x 200 x 5 cm
59 1/2 x 78 1/2 x 2 in
A Thousand Plateaus, 2016
Financial Times newspaper, archival inkjet, sand and pumice on canvas and aluminium
200 x 450 x 5 cm
78 1/2 x 177 1/2 x 2 in

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