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Gordon Cheung, Forbidden City, 2015
Gordon Cheung, Forbidden City, 2015

Forbidden City, 2015

Financial Times stock listings, acrylic, pumice and sand on canvas and sail cloth
150 x 200 x 5 cm
59 1/2 x 78 1/2 x 2 in
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%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EForbidden%20City%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2015%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EFinancial%20Times%20stock%20listings%2C%20acrylic%2C%20pumice%20and%20sand%20on%20canvas%20and%20sail%20cloth%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E150%20x%20200%20x%205%20cm%3Cbr/%3E%0A59%201/2%20x%2078%201/2%20x%202%20in%3C/div%3E

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View on a Wall
Forbidden City foregrounds a ‘nail house’ against the landscape of the Forbidden City, a sacred site in China that holds equally profound socio-political significance following events that took place at...
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Forbidden City foregrounds a ‘nail house’ against the landscape of the Forbidden City, a sacred site in China that holds equally profound socio-political significance following events that took place at Tiananmen Square in 1989. The city appears as a symbol of power and civilisation, but is conversely depicted as a sequence of distant lines in the sands of time, inferring a sense of deep time that renders the rise and fall of human empires as mere points in a constantly cyclical history.
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Exhibitions

Here Be Dragons ( 04/30/2016 to 07/17/2020 )
The Abyss Stares Back ( 10/09/2015 to 11/20/2015 )

Provenance

Private Collection
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