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Gordon Cheung, Great Wall of Sand, 2016
Gordon Cheung, Great Wall of Sand, 2016
Gordon Cheung, Great Wall of Sand, 2016

Great Wall of Sand, 2016

Financial newspaper, archival inkjet, acrylic and sand on canvas
150 x 200 x 5 cm
59 1/2 x 78 1/2 x 2 in
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%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EGreat%20Wall%20of%20Sand%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EFinancial%20newspaper%2C%20archival%20inkjet%2C%20acrylic%20and%20sand%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E150%20x%20200%20x%205%20cm%3Cbr/%3E%0A59%201/2%20x%2078%201/2%20x%202%20in%3C/div%3E

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Great Wall of Sand interweaves ancient cartography, 3D Google maps and Chinese plans for the One Belt One Road initiative in a spatially complex composition combining past, contemporary and future...
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Great Wall of Sand interweaves ancient cartography, 3D Google maps and Chinese plans for the One Belt One Road initiative in a spatially complex composition combining past, contemporary and future mapping of geopolitical power dynamics. The floating islands depicted are artificial, controversially built in the 2010s by the Chinese by dredging up coral in the South China Sea as part of a strategy to create a new maritime silk road, claiming ownership of this dispute naval corridor. Cheung’s use of maps in the construction of these compositions draws our attention to the principle established in Boetti’s Mappa series – that our understanding of the world’s geography is itself entrenched in political ideology.
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Exhibitions

The Sky’s Gone Out ( 04/06/2018 to 04/28/2018 )
Lines in the Sand ( 09/18/2016 to 11/07/2016 )
Here Be Dragons ( 04/30/2016 to 07/17/2020 )
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