The Descent from the Cross (after Gasper de Crayer 1630-1669), 2018
Giclée on canvas
164 x 120 cm
64 1/2 x 47 1/2 in
64 1/2 x 47 1/2 in
Further images
A sorting algorithm is used to non-destructively reorder pixels of photographs for distinct bodies of works that Cheung creates. Theoretically the images can be reassembled as if a hyper complex...
A sorting algorithm is used to non-destructively reorder pixels of photographs for distinct bodies of works that Cheung creates. Theoretically the images can be reassembled as if a hyper complex jigsaw to metaphorically suggest not repetitions but how history rhymes.
The algorithmic blur in the New Order series is a metaphor of our existence in a data-saturated era, an Ozymandian corrosion wrought with degraded memories and histories written by victors.
Exhibitions
Doubting Thomas (Group Show), Duddell's, London, UK (04/25/2023 to 09/24/2023)