Now
 

 

Update 10.08.08  
   
Exhibitions

 

 
    Current
Ends 5 Sept
ends 1 Oct 2008
ends 22 Mar 09


The Maddox Arts Summer Show
, Maddox Arts Gallery, London
Currents: Recent Acquisitions,
Hirshhorn Museum & Sculpture Garden, Washington USA - Curated by Anne Ellegood
Painting the Glass House: Artists Revisit Modern Architecture, touring various museums, USA - Curated by Jessica Hough / Monica Ramirez Montagut

 
   
Forthcoming

6 Sept - 18 Oct 2008
Sept 2008

Sept 2008



Gordon Cheung (solo show), Galerie Adler, Frankfurt, Germany (dates to be announced)
The Other Mainstream II: Selections from the Collection of Mikki and Stanley Weithorn
Arizona State University Art Museum, Arizona, USA (dates to be announced)
Gordon Cheung (solo show), Harris Museum and Art Gallery, Preston, UK (dates to be announced)

For further details see below

 
         
 
Other
 
   
Feb 2008
Feb 2008
Jan 2007
25 Jan 2008
21 Mar 2007
June 2006


Dec 2005

Oct 2005
11 Oct 2005
Oct 2005

Sept 2005
6 June 2005
May 2005

From Modern Economy to Ancient Mythology, Aesthetica Magazine, Shona Fairweather profile
Gordon Cheung curated by Kohei Nawa, Dazed and Confused Japan
Cyberman Who Fell to Earth - Gordon Cheung Times Preview
City Life, Channel M, Robert Hudson - TV interview
The Newspaper, curated by Eleanor Brown
deciBel Award Finalist, Judges: Okwui Enwezor, David Thorp, Sally Tallant, and others
Selected for John Moores 24 Painting Prize, Walker Art Gallery, Liverpool - Selected by Tracey Emin, Sir Peter Blake, Jason Brookes, Ann Bukantas and Andrea Rose. Exhibition: Sept 2006
The Allegorical Impulse in the Digital Age: Gordon Cheung’s Crater - Anne Ellegood, Associate Curator of Hirshhorn Museum & Sculpture Garden
Artisancam interview online film
British Art Show 6
, Channel 5 presented by Tim Marlow
British Art Show 6 - artisancam - mpeg
Wideshut magazine: 'Gordon Cheung'
Interview on British Art Show 6 documentary
- mpeg
The Independent
: 'As Hirst hits 40, meet new faces of UK Art Scene'
Website launched
 


For press archive >

 

 

Showing next
6 Sept - 18 Oct 2008 - Galerie Adler, Frankfurt Germany
 
 


WILDERNESS OF MIRRORS

Preview: Fri 5 Sept 2008 6pm

Gordon Cheung’s first solo show in Germany takes place from September 5th to October 18th, 2008 at Galerie ADLER in Frankfurt am Main. The show‘s title takes it’s name from James Jesus Angleton‘s phrase ‘Wilderness of Mirrors’ with which he used to describe the double-agent confusion and strange loops of espionage. James Jesus Angleton was a long-serving chief of CIA’s counter-intelligence staff in the 1950s and many commentators believe that Angleton took the term from T. S. Eliot’s poem ‘Gerontion’ with whom he was friendly with.

The title of the show alludes to landscape and the dark undertones of conspiracy and paranoia. Cheung’s multi-media paintings reflect his interests in the power structures, belief systems and our obedience to them. In formal terms he twists the figure ground relationship into an oscillating mobius strip. The initial perception of his paintings seem to exist in the figurative dimension yet closer inspection reveals that the base of all his paintings are actually stock listings from the Financial Times. These abstract numerical lists flatten the space and paradoxically signifies a virtual reality that intertwines our real lives on a global scale.

Cheung’s paintings capture the hallucinations between the virtual and actual realities of a globalised world oscillating between Utopia and Dystopia. Spray paint, oil, acrylic, pastels, stock listings and ink collide in his works to form epic techno-sublime vistas.
All the time he makes visual and conceptual references to the discourse of Modernist painting by using the archetypal visual rhetoric of Modernism; flatness, grid, gesture and materiality. The use of different techniques and languages deliberately interrupts the reading of the painting to encourage, in Cheung’s words, a kind of telescopic deconstruction, that has a relationship to the way, how we are always looking or experiencing something beyond. For example when we speak into phones, write and read emails or surf for information on the Internet, it’s as if we are in an alternate dimension. It’s as if we temporarily dematerialise into virtual landscape.

Cheung began using the stock listings in 1995 when mobile phones and internet were becoming readily available. He was excited by the utopic euphoria of digital frontiers, global villages, information superhighways and Cyberspace; this digital and communication revolution compelled him to visually respond to this modern dimension. Time and space had collapsed into the instant - reconfiguring our perceptions into a state of constant flux. The utopic euphoria was short-lived with the collapse of tech stocks after the entrance into the 21st century, the global hysteria over the millenium and by the titanic corporate corruption of Enron and Worldcom. All these events were underlined by more recorded natural disasters than at any other time, followed by the twin tower attacks that led to Global War of Terror.

If you think of what is omnipresent, omniscient and omnipotent, you could also philosophize about the stock market as about the belief in God or another possible power. Cheung has converged these ideas and raises questions to visualize us the megalithic structure, in which we all exist. It is for him our contemporary landscape – a Wilderness of Mirrors.

Galerie Adler Frankfurt am Main
Hanauer Landstraße 134
60314 Frankfurt
Germany

+49 (0)69 43053962
fax +49 (0)180 3118866568
+49 (0)170 7324366
mail@galerieadler.com


 

 

Showing now
1 Aug - 5 Sept 2008 - Maddox Arts Gallery, London
 
 


The Maddox Arts Summer Show

Preview: Thurs 31 July, 6-8 pm

Ricardo Alcaide, Nobuyoshi Araki, Artists Anonymous, Charlotte Beaudry,
Gordon Cheung, Mat Collishaw, Koichi Enamoto, Fafi, James P Graham,
Simon Hitchens, Aaron Johnson, Mark Karasick, Andrea Massaioli, Daniel Medina,
Emi Miyashita, Mondongo, Javier Rodriguez, Dodi Reifenberg, Luis Romero,
Caroline Rothwell, Gaia Scaramella, Augusto Villalva, and Julian Wild.

Maddox Arts
52 Brook's Mews, London W1K 4ED

Opening Times: Tue-Fri 11am - 7pm
Sat 11am - 4pm
or by appointment
020 7495 3101
www.maddoxarts.com


 

 

Showing now
11 Feb 2008 - 22 Mar 2009 -  touring various museums, USA
 
 

 

Painting the Glass House:
Artists Revisit Modern Architecture

Curated by Jessica Hough and Monica Ramirez Montagut

Alexander Apostol / Daniel Arsham / Gordon Cheung / David Claerbout / Angela Dufresne / Mark Dziewulski / Christine Erhard / Cyprien Gaillard / Terence Gower / Angelina Gualdoni / Natasha Kissell / Luisa Lambri / Dorit Margreiter / Russell Nachman / Enoc Perez / Lucy Williams

The Yale: Private view 11 Feb 2008
6:30 pm Panel discussion featuring moderator Joan Ockman along with Peter Halley, Robert Storr, and Anthony Vidler.

The Aldrich: Private view 9 March 2008 3-5pm
Panel discussion 2 pm Panel discussion with curators Jessica Hough and Mónica Ramírez-Montagut, along with artists Daniel Arsham, Angela Dufresne, and Terence Gower

Sleek modern houses that float on icebergs, nestle into idealized painted landscapes, or become the backdrop for surreal emotional dramas are some of the images to be seen in a sixteen-artist group exhibition that invites viewers to reconsider modern architecture and what it has come to represent for a new generation.

Painting the Glass House: Artists Revisit Modern Architecture
—curated by Jessica Hough and Mónica Ramírez-Montagut—will be presented by The Aldrich Contemporary Art Museum with the Yale School of Architecture Gallery. It will open at Yale on February 11, 2008, and at The Aldrich on March 9, 2008.|

Modern architecture is generally identified with buildings by Le Corbusier, Philip Johnson, Mies van der Rohe, and Frank Lloyd Wright, which represent a period driven by developments in technology, engineering, and the introduction of industrial materials such as iron, steel, concrete, and glass. Architects at this time engaged in a practice that not only incorporated structural innovations, but also encouraged social change.

The artists featured in the exhibition are interested not only in the potential of utopian ideas, but also the sense of a passing idealism that modern architecture now embodies. Hough comments, “The artists are less interested in the built structures themselves and what it might feel like to be inside one, and more interested in the philosophy and idealism they represent. The way in which the buildings signal a possibility of utopia is essential—a future that could have been. Sentimentality runs through much of the work.”

Ramírez-Montagut adds, “This melancholic remembrance comes at a time when great works of modern architecture are at risk due to neglect, deterioration, and demolition. Underlying all the artworks is a feeling of deep admiration for the architects who sought to elevate culture and bring it to the broad masses, yet their sense of failure is also prevalent; the artists’ knowledge of modern architecture’s crisis and demise tints their works with some kind of nostalgia.”

Painting the Glass House: Artists Revisit Modern Architecture brings together two-dimensional works of
various media (including video) that explore an interest among emerging artists in architecture of the modern period. The exhibition includes work by Alexander Apostol, Daniel Arsham, Gordon Cheung, David Claerbout, Angela Dufresne, Mark Dziewulski, Christine Erhard, Cyprien Gaillard, Terence Gower, Angelina Gualdoni, Natasha Kissell, Luisa Lambri, Dorit Margreiter, Russell Nachman, Enoc Perez, and Lucy Williams.

Both The Aldrich Contemporary Art Museum and the Yale School of Architecture Gallery will present a portion of the exhibition in their galleries. In order to fully appreciate the project, viewers will be encouraged to visit both venues.

The Aldrich will host an Exhibition Reception on Sunday, March 9, 2008, from 3 to 5 pm. Prior to the
opening there will be a 2 pm Panel Discussion: Painting the Glass House: Artists Revisit Modern Architecture, with curators Jessica Hough and Mónica Ramírez-Montagut, along with artists Daniel Arsham, Angela Dufresne, and Terence Gower. The reception is FREE for members. Refreshments will be served. Round-trip transportation from New York City is available; please call the Museum at 203.438.4519 for reservations. Please note that the bus will not arrive in time for the panel discussion. The reception and panel will take place at the Museum located at 258 Main Street, Ridgefield.

Yale will debut their component of the exhibition on Monday, February 11, 2008, with a 6:30 pm Panel
Discussion: Painting toward Architecture, Architecture toward Painting. This will feature moderator Joan
Ockman along with Peter Halley, Robert Storr, and Anthony Vidler. The discussion will be held at McNeil
Lecture Hall at the Yale University Art Gallery, 1111 Chapel Street, New Haven (entrance on High Street). This will be followed by the opening reception, at the Architecture Gallery, 32 Edgewood Avenue, New Haven. Both the panel and reception are FREE. The installation at Yale is designed by Dean Sakamoto, director of
exhibitions.

Additionally, a book related to the exhibition is being co-published by The Aldrich Contemporary Art Museum, Mills College Art Museum, and Yale University Press, and is scheduled for a fall 2008 release.

Painting the Glass House: Artists Revisit Modern Architecture is curated by Jessica Hough and Mónica Ramírez-Montagut. The exhibition has been organized by The Aldrich Contemporary Art Museum with the Yale School of Architecture Gallery. Both The Aldrich and Yale will present a portion of the exhibition in their galleries. The exhibition will travel to Mills College Art Museum in California following its Connecticut debut.

EXHIBITION DATES:
Yale School of Architecture Gallery (New Haven, CT): February 11 to May 9, 2008
The Aldrich Contemporary Art Museum (Ridgefield, CT): March 9 to July 27, 2008
Mills College Art Museum (Oakland, CA): January 14 to March 22, 2009

ABOUT THE CURATORS:
Jessica Hough is director of the Mills College Art Museum where she recently curated Don’t Let the Boys Win: Kinke Kooi, Carrie Moyer, and Lara Schnitger. Hough was previously curatorial director at The Aldrich Contemporary Art Museum, where she organized exhibitions including Glee: Painting Now; Into My World: Recent British Sculpture; Karkhana: A Contemporary Collaboration; and Alyson Shotz: Light, Sound, Space. She earned her Master’s from the Center for Curatorial Studies at Bard College.

Mónica Ramírez-Montagut is assistant curator of Architecture and Design at the Guggenheim. She most recently co-curated Zaha Hadid (2006), which received the second place award for Best Architecture or Design Show from the AICA; curated Restoring a Masterpiece: Frank Lloyd Wright’s Guggenheim Museum (2007); and is currently part of the curatorial team working on the retrospective of Chinese artist Cai Guo-Qiang slated to open in February 2008. Her curatorial interests focus on the blurring of boundaries between art, architecture, and design; young emerging Latino artists; and installations. She is an architect, with a Master’s degree in Art and Architecture and Ph.D. in Theory and History of Architecture.


ABOUT THE INSTITUTIONS:
The Aldrich Contemporary Art Museum is one of the few non-collecting contemporary art museums in the United States. Founded on Ridgefield’s historic Main Street in 1964, the Museum enjoys the curatorial independence of an alternative space while maintaining the registrarial and art-handling standards of a national institution. Exhibitions feature work by emerging and mid-career artists, and education programs help adults and children to connect to today’s world through contemporary art. The Museum is located at 258 Main Street, Ridgefield, CT 06877. For more information visit www.aldrichart.org or call 203.438.4519.

Yale School of Architecture Gallery is a significant component of the School’s active public programs and the Yale Arts Area, which includes the Yale University Art Gallery, Yale Center for British Art, and Yale Repertory Theater. This year, due to the renovation of the Art & Architecture Building, the School of Architecture Gallery is temporarily housed in the future Yale School of Art Sculpture Gallery, 32 Edgewood Avenue, New Haven, CT. The Architecture Gallery is renowned for its display of important exhibitions on contemporary and historical architectural topics of international scope.


The Aldrich Contemporary Art Museum

258 Main Street, Ridgefield, CT 06877
Tel 203.438.4519, Fax 203.438.0198, www.aldrichart.org


 

 

Showing Now
18 Oct 2007 - Nov 2008 - Hirshhorn Museum & Sculpture Garden, Washington USA
 
 

 

Currents: Recent Acquisitions

Dates subject to change

Currents: Recent Acquisitions: The Hirshhorn presents more than forty of nearly two hundred works acquired by the Museum during the last four years. The exhibition features works from 1967 forward by both influential, established artists and emerging artists, including Andrea Bowers, Mona Hatoum, Ernesto Neto, Paul Pfeiffer, Robin Rhode and Allen Ruppersberg. The installation reflects the great diversity of works being acquired by the Museum-from conceptual photography to sculpture-and allows visitors to consider works by artists from a range of generations, countries, cultures, and backgrounds. The works on view have entered the collection in a number of ways: as gifts, as purchases proposed by Hirshhorn curators and approved by the Board of Trustees and as purchases made through the Contemporary Acquisitions Council, a membership group that facilitates the acquisition of works by emerging artists.

This exhibition is organized by Curator Anne Ellegood.


Hirshhorn Museum & Sculpture Garden
Washington USA

www.hirshhorn.si.edu

 


 
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